Read night film by Marisha Pessl Online

night-film

On a damp October night, 24-year-old Ashley Cordova is found dead in an abandoned warehouse in lower Manhattan. Though her death is ruled a suicide, veteran investigative journalist Scott McGrath suspects otherwise. As he probes the strange circumstances surrounding Ashley's life and death, McGrath comes face-to-face with the legacy of her father: the legendary, reclusiveOn a damp October night, 24-year-old Ashley Cordova is found dead in an abandoned warehouse in lower Manhattan. Though her death is ruled a suicide, veteran investigative journalist Scott McGrath suspects otherwise. As he probes the strange circumstances surrounding Ashley's life and death, McGrath comes face-to-face with the legacy of her father: the legendary, reclusive cult-horror film director Stanislaus Cordova--a man who hasn't been seen in public for more than thirty years. For McGrath, another death connected to this seemingly cursed family dynasty seems more than just a coincidence. Though much has been written about Cordova's dark and unsettling films, very little is known about the man himself. Driven by revenge, curiosity, and a need for the truth, McGrath, with the aid of two strangers, is drawn deeper and deeper into Cordova's eerie, hypnotic world. The last time he got close to exposing the director, McGrath lost his marriage and his career. This time he might lose even more....

Title : night film
Author :
Rating :
ISBN : 10281556
Format Type : Kindle Edition
Number of Pages : 624 Pages
Status : Available For Download
Last checked : 21 Minutes ago!

night film Reviews

  • Jesse (JesseTheReader)
    2018-11-12 08:47

    (4.5)HOLY MOLY THIS BOOK WAS FANTASTIC. F A N T A S T I C. The only reason I'm giving it a 4.5 is because it felt unnecessarily long. Even though I flew through this sucker, I feel like it could have been condensed a bit. Other than that this was SO SO SO GOOD. AHHH.

  • Raeleen Lemay
    2018-11-15 15:45

    Sovereign. Deadly. Perfect.

  • karen
    2018-12-01 07:58

    good lord, remember marisha pessl?? she of Special Topics in Calamity Physics fame?? remember the immense fawning hordes of fans and the praise surrounding that book?? you might not, it was 7 years ago and all. but it was a Very Big Deal at the time.and it was a book that i personally thought was just okay. i am a tough judge of books that claim to be like The Secret History. i might have said this once or twice or a dozen times on the internet. and i thought special topics was fine, just a little too cheekily stylized for me, and a little hyperactive and referential in its prose.so when i was handed this ARC, at first, i was a little, "her?"and then i flipped through it.and it was full of pictures and screenshots and case notes and just a real explosion of visual literacy.and then i read what it was about.and the first thing i thought of, because of the mixed-media approach, and the dark tones, was House of Leaves. another book i found overly gimmicky that everyone else loooves.but something about this made me want to dive right into it, despite those two books being lodged in my mind and making me hesitate.and wouldn't you know it...to borrow the phrase of a very enthusiastic man,this book is everything.everything except easy to review, that is.it is a minefield of spoilers.there is a sentence in this book, where a character is talking about his life, but it also serves as the most succinctly perfect description of the experience of reading this book:Just when you think you've hit rock bottom, you realize you're on another trapdoor.the basic plot revolves around scott mcgrath, a disgraced investigative journalist drawn to the mystery of a beautiful young woman who has apparently committed suicide. she just happens to be the daughter of stanislas cordova, the very same reclusive film director who was responsible for the "disgraced" adjective on scott's CV. cordova's films are scary-dark pieces whose fans share a cultish devotion, especially since the films are only distributed through unconventional, underground channels. cordova's life is surrounded by mystery - very few photos of him exist, mysterious deaths, madness and disappearances accrue in his wake, his actors refuse to speak of their experiences working with him, but they are forever changed. and scott's going to find out what really happened to ashley cordova, and maybe uncover some dirt on stanislas himself and restore his own reputation.ooorrrr issss heeee???trapdoors upon trapdoors upon trapdoors.i do not want to say anything that will mar your reading experience. but i will say that it is pleasantly creepy, very well-executed, and genuinely gripping. and not at all cheeky.the praise for this one will come, and this time, i will be amongst the cheerleaders.august.

  • eb
    2018-11-29 08:33

    A failure on nearly every level. The characters are paper-flat, they all speak in exactly the same (preposterous) voice, and none of them develop an inch. "But that's okay," you might argue; "Pessl's writing a thriller, and plot is her main concern." Fine, but the plot of this novel is deeply, deeply boring. Night Film reads like a would-be thriller by someone who's never actually read a thriller or a mystery. The protagonist stumps around from obvious clue to obvious clue, talking to a host of characters who spill details for no reason. There's no tension, and there's no suspense. And for all the times we're told how sinister Cordova and Ashley are, we don't get a single truly disturbing instance of bad behavior (unless you're shaken to your core by the possibility that they've killed a few kids). Most baffingly, the writing itself is terrible. The purported NYMag posts and blog slideshows are completely unconvincing and tonally off—no one would hire this writer as a blogger. It's as if Pessl is getting paid per misplaced modifier. The scariest thing about this novel is the cruel way its author tortures grammar. It's one of the most disappointing sophomore efforts I've ever encountered.

  • Chelsea Humphrey
    2018-11-18 15:29

    I believe this book will be in my top 3 I have read for the year. It's been awhile since a book completely captivated me and sucked me in so thoroughly that I was sneaking around my house to finish it and avoid my everyday duties. :) No spoilers here as I don't want to ruin the book for anyone.This book is about the death and investigation of Ashley Cordova, daughter to elusive horror filmmaker Stan Cordova. Enter Scott McGrath, a journalist who previously tried to come after Cordova which caused him to be discredited as a serious investigator. Dark rumors have swirled around Cordova since his retreat into his private, palatial compound know as "The Peak". Ashley Cordova is believed to have committed suicide, but McGrath suspects more to the story. He is determined to find the truth no matter the cost as he has already lost his family and credbility. What follows is a journey following McGrath and 2 strangers that is thrilling, suspenseful, and emotional.Boy was I sucked into this one! I found I was holding my breath on multiple occasions and had to remind myself to let it out. This was a wild ride, not only because of how intense and intriguing it was, but because of how attached I felt I had become to the characters. I have heard lots a dispute on how the book ended; for me, I wasn't pleased per say, but I came to accept it after letting it sit with me a bit. This is definitely a book that will stay with me for a long time; I don't typically reread books as I have so many new ones I need to read, but I feel like this might be one I reread once a year or so. I can certainly see why this read wouldn't be everyone's cup of tea, but it was exactly what I needed right now. This one is a GREAT bridge for those wanting to make a leap from the suspense/thriller genre (traditional) to horror, but need something to ease them into something containing bits of the supernatural. I'll definitely be looking for her first novel to read!

  • Melissa ♥ Dog Lover ♥ Martin
    2018-12-02 08:53

    Update: $1.99 on Kindle in the US today. I'm not sure if they will have all of the pictures like my paperback does but I think you can look inside the kindle book on Amazon. 7-18-17I am adding a good bit of pictures from the book to my review. There are too many to show them all but I wanted you to get an idea. They are not the greatest of pictures but I hope you enjoy them because it took quite a bit of time to get this set up. ****SOME MILD SPOILERS****The book centers around Ashley Cordova's death. She was the the daughter of the macabre film maker, Stanislas Cordova. She's said to have jumped down an elevator shaft in an abandoned building. But did she? This whole book is a question within a question in my opinion.Scott McGrath is a journalist who got in trouble years ago when he tried going after Cordova for other things. Now, he's on the case again to find out what happened to Ashley. He ends up getting some sidekicks, Nora and Hopper. They both have some connections to Ash but some more than others. I loved them all together but Nora is my favorite character in the book.There is a creepy website where fans can go and write things about Cordova's films etc. Nora managed to get Scott hacked in a sense into the website but if you are found out as a fake they boot you right out. There were a few disturbing things on the site but it adds to the mystery of the freaks and what not.The picture below is speculated to be Cordova's son Theo who came running out of the woods needing to get to the hospital because he managed to cut his fingers off. Cordova put him in the film and later took him to the hospital where they could not re-attach the fingers. I mean ewwww.Creepiness continues . . .Ooops, you were found out!This next picture is of Inez Gallo, she ran everything for Cordova. He never appears in public and there are a few questionable pictures of him. He wanted to remain out of the public eye in more ways than one.Everything about Cordova himself is a mystery. Scott, Nora and Hopper had a very hard time finding things out about him in particular.Cordova had a home he lived in with his family and where he made his films. There was a 20 foot military fence around the whole property, for reasons.Scott and Nora act like a father and daughter that go to the mental facility where Ashley was reported breaking out of right before her death. It went okay until they found them out. But Nora found a very creepy picture of Ashley and stole it.She rummaged through her purse and handed me a colored photograph. I assumed she was showing me a member of her family, but then realized with surprise it was a photo of Ashley.Her gray eyes, hollowed by dark circles, seemed to fasten onto me."When I disappeared from the tour of Briarwood and got in trouble? That's what I went back to get. I saw it on those bulletin boards by the dining hall under 'Weekly Picnic.' It's her, isn't it?"Le cara de la muerte, the Waldorf maid had said. 'The face of death.I understood what she meant.This is a supposed picture of Cordova with his mom when he was a baby.The rest are just some random pictures.The ending I never saw coming. Not one bit. It's bizarre and sad and understandable. And I will miss Scott, Nora and Hopper."Where the mermaids sing." I added quietly, reminded of the Prufrock poem. As Hopper had explained it, the mermaids were the one thing the family was always seeking out, always fighting for--life's most stunning and precarious razor edge. Where there was danger and beauty and light. Only the now. Ashley said it was the only way to live.MY BLOG: Melissa Martin's Reading List

  • Kelly (and the Book Boar)
    2018-11-11 07:33

    Has it happened yet? Have the oh-so-annoying cover notations calling every new release the “new Gone Girl” ceased and “the new Night Film” labels taken over?. If so, the loud bang you will soon hear will be my head exploding. If Kubrick, Polanski, Hitchock, and Tarantino had a twisted little baby, his name would most likely have been Stanislas Cordova. A genius who gained fame immediately after his first horror film release – Cordova has spent his life in exile on his private estate (hmmmmm, maybe Marlon Brando had a part of this baby-making process too) making additional films and only interacting with the lucky (?) ones who receive an invitation. Scott McGrath is an investigative journalist who watched his career, and a good chunk of money, go up in flames after publishing an article outlining the real life creepery that Cordova was engaging in – and using only an anonymous John Doe as his source.Now Cordova’s daughter has apparently committed suicide and McGrath finds himself desperate to find the truth about the recluse’s life once again.First impression – the physical weight of this book was notable and upon opening it the paper felt exquisite. Weird, huh? But seriously even if you don’t want to read this book, feel the paper. From the jumpstart you dive in to this amazing graphic element of photos, articles, notes left on scraps of paper, etc. By Page 30 I thought I was reading something gooooooood.Unfortunately, by Page 200 the tides had turned. What started as potentially one of the best mysteries in a long time quickly petered out and morphed into an unending loop of touring New York City and surrounding areas. The trail of breadcrumbs I thought I was following, didn’t lead to a loaf of bread – just MORE BREADCRUMBS and by the time the book was over, I was exhausted. And dare I forget to mention the italics. Oh for Christ’s sake, the misuse of italics had my brain absolutely SCREAMING at me that I was reading passages incorrectly. Ummm, no brain, she’s writing it wrong. Go argue with the author.To use Pessl’s own words: “The rush of solving these last few mysteries was almost immediately replaced with something else, a sense of hollowness, even grief. I felt let down . . . The desolation came from the realization that all of the kirin were dead. They’d never existed in the first place. Because, however much I might not want to face it, wanting something larger than life . . . for some other tempestuous reality that defied reason, alive with trolls and devils, shadows that had minds of their own, black magic as powerful as H-bombs . . . The truth razed everything . . . I was actually standing on flat dry land, which was blindingly lit, but barren.”And that’s it folks. This book left me feeling like I’d wasted nearly a week of my life only to end up feeling completely barren.

  • Mohammed Arabey
    2018-11-20 09:41

    مزيج جهنمي رهيب من التوتر، الرعب، الريبة، الإنتقام وسحر السينمامن الأخلاص،التسامح ومشاعر صارت نادرة بعالمنا المادي التجاريرواية ضخمة، 599 صفحة ستنقلك لحالة غريبة محورها مخرج سينمائي مثير للجدل..مخرج كهؤلاء العمالقة الغرباءولكنه أكثر ظلاما وجنونا..إنه ستانليس كوردوفا..الذي ستشعر كأنك تعيش فعلا في أحد أفلامه..الفيـلم الليـلي~~سبع علامات تحدد ان كان يناسبك دخول ومشاهدة الفيلم الليلي~~***إن كنت من هواة سحر السينما،وعباقرة المخرجين بالاخص أولئك ذوي الأسرار،وافلامهم التي تقتحم النفس البشرية“I love to put my characters in the dark, it's only then that I can see exactly who they are”***إن كنت من هواة روايات المحقق الخاص،بالاخص من نوعية الذئب المتوحد من قد يضيع حياته من اجل تحقيق ضخم“Before you embark on a journey of revenge, dig two graves.’ ” ***إن كنت من هواة اجواء السحر الاسود والتعاويذ،المس الشيطاني والطقوس الغريبة، حتي ان كنت لا تؤمن بهذا الهراء“Everyone has a Cordova story, whether they like it or not.” ***إن كنت من هواة أن تجد محققك الخاص المفضل متورطا رغما عنه مع شريك في تحقيقاته، شخصيته مختلفة تماما عنه“I hate how the people who really get you are the ones you can never hold on to for very long. And the ones who don’t understand you at all stick around.” ***إن كنت لا تمانع بعض المواقف الساخرة عن الحياة المعاصرة وجمودها،بعض المواقف المضيئة لمعني العائلة، الصداقة والإخلاص“We’re living longer, we social network alone with our screens, and our depth of feeling gets shallower.” “With the iPiano, anyone can be an iMozart. Then, you could compose your own iRequiem for your own iFuneral attended by millions of your iFriends who iLoved you.”***ان كنت لا تمانع الكثير والكثير من الاستطرادات عن وصف الاماكن واجواء نيويورك وأحيائها ،وكذلك المزيد عن ماضي الشخصيات وحكاويهم ،بل والاهم، حكايات عن افلام ونجوم هوليوود التي لا تنتهي بالاخص افلام كوردوفا“This is New York. If people found out worshipping the devil actually worked, every ambitious type A would be practicing it in their studio apartments.” ***وبالطبع ان كنت لا تمانع ان تكون تلك الحكاوي مصحوبة بالصور بداخل صفحات الكتاب، صور فوتوغرافية، صور مقالات من الانترنت او المجلات والجرائد، صور ملفات تحقيقات ، بل ويمكنك عمل مسح ضوئي لبعض تلك الصور للحصول علي المزيد من الصور من الانترنت،المقاطع الصوتية وحتي المزيد من الحكايات والقصص***********حسنا، إذا وصلت لهذا الجزء، فيبدو عليك الاقتناع لحد ما بالرواية ،دعني اصحبك لبعض احداثها من خلال الشخصيات، دون حرق بالطبع فهي رواية مثيرة لا تخلو من المفاجآت حتي نهايتهاواعدك ان تجربتك بها ستظل تفكر بها طويلامن الشخصيات الغامضة، والبناء الممتاز التشويقي للقصةالوصف الذي يجعلك بداخل تلك الاماكن او تتجول بشوارع واحياء نيويورك كمانهاتن وشايناتاونبعض المشاهد المقبضة الغريبة، والحوار الذي به طابع السخرية اللاذعة لما آل عليه مجتماعتناوحتي المشاعر الانسانية الجميلة التي ستلمسها رغم كل هذه الغرائبيةبالرغم من الاحداث كلها منذ البداية يرويها البطل نفسه،تدور من وجهة نظره،إلا انك ستجد ثراء في باقي الشخصيات الرئيسية بالاحداث وستشعر كأنك تتعرف عليهم حقا وتعيش معهملقد شعرت كانني في داخل احداث الرواية..في فيلم ليلي فعلا، كانني في فيلما من اخراج هذا الكوردوفاوهكذا غالبا سيشعر ابطال الرواية كلهملان كلا منا في الحياة له قصة من قصص كوردوفا~~~~~~~الشـخـصيـات~~~~~~~*****************ستانليس كوردوفاالغائب الحاضر طوال الاحداثهو عبقري آخر من نوعية هيتشكوك،كوارتينو،كوبريك وديفيد لينشسحرة السينما، أولئك الذين يتوغلون لمجاهل النفس البشرية ويصورون ظلماتهاكوردوفا له طابع خاص مظلم في افلامه، له الكثير من المعجبين، بل المهووسين باستخراج رموز افلامه الغريبةThe Artists who made the amazing Directors' Portraits here and hereستتعرف علي حكايات معظم افلامه من خلال الاحداث بشكل مختصر ،اعدك ان كنت واسع الخيال مثلي ستشعر بانك شاهت الفيلم كاملا في ذهنك من خلال الأحداثواذا قمت بالمسح الضوئي لبعض الصور الملحقة بالرواية ستشاهد بوسترات اعماله السينمائية كلها، وكذلك بعض صور من فيلمه الاشهرLove Childوالذي، بمناسبة الحكاوي، يروي حكاية عاهرة سابقة متزوجة من رجل محترم ،تتلقي رسائل الكترونية من شخص غامض يهددها بفضح وكشف ماضيها لزوجها والمجتمع، لتقوم في يوم واحد هي احداث الفيلم بتعقب المبتز بالرغم من الخطف والتعذيب والمطاردات ولكنها تنجح في الانتقام منه لتعود ليلا، تحرق ملابسها في الساحة الخلفية للمنزل المليئة بالطين والدماء، وتتسلل للبيت للنوم بجوار زوجها الغافي الذي لا يدري شيئًا عن ماضيها، ولا احداث يومها الدموي ذاكذلك ،وغيره من الأفلام قد يبين لك نوعية مايدور بعقل العبقري كوردوفا من افكاريعتبر كوردوفا منعزلا عن الصحافة والاعلام بل والمجتمع السينمائي منذ 1977،اخر حوار له لمجلة شهيرة حقيقية بعد وفاة زوجته الاولي، ولكنه ظل يخرج اعمالا فنية من خلال قصره المنعزل في اطراف مدينة نيويورك والملحق به استوديو ضخم..ولكن فقط حتي اخر افلامه في 1996لا احد من نجوم افلامه بتحدث عن تجربته معه باي الاحاديث الصحفية والاعلامية، بل وبعضهم يعتزل العمل الفني بعدها...بعضهم فقط يختفي عن الاضواءوربما ، احيانا، يختفي نهائياعزلته وغموضه، بالاضافة لأفلامه النفسية المعقدة هي ما يلهب خيال عشاق افلامه، وحتي منتقديه ومنهم سكوت ماكجراثسكوت ماكجراثهو بطل الاحداث، الراوي، التي تدور الاحداث من وجهة نظرهصحفي التحقيقات الأشهر، اشتهر بتحقيقاته حول عالم البنوك وكروت الائتمان، تجار المخدرات ، وغيرها من التحقيقات الناجحةكان لديه في 2004 محاولة لاختراق اسرار المخرج كوردوفا ليكشف سر عزلته والأقاويل حول الآثار السلبية الناتجة عن افلامه التي بجانب غرابة مصائر ابطاله، ادت لأحد المختلين في ارتكاب جرائم قتل شبيهة لما قدمه كوردوفا في احد افلامهيصله مكالمة من مجهول، تؤدي لزيادة شكوكه حول ذلك المخرج المريب وتلهب حماسة لمتابعة تحقيقه عنه، ولكنه يصطدم بمفاجاة تطيح بسمعته الصحفية، وحتي حياته الشخصية بسبب تلك التحقيقاتلينفصل عن زوجته ويكاد لا يري ابنته الا في مواعيد تحددها المحكمةليصبح موصوما بفضيحة صحفية يخسر بسببها الكثير من شعبيته ويصير ذئبا متوحدا بحقويغلق تماما التحقيقات حول كوردوفا، الذي بسببه بشكل غير مباشر دمر حياتهولكن تبدأ الاحداث بعدها بسبع سنوات...عندما يقرأ خبر اشلي كوردوفااشلي كوردوفاغائب حاضر اخر بالاحداثابنة المخرج المراهقة ، تعثر الشرطة علي جثتها في الرابع عشر من اكتوبر 2011 في بئر مصعد بمخزن مهجور بمانهاتانوتثبت التحقيقات إنها ماتت منتحرةولكن ليس سكوت ماكجراثمدفوعا برغبة في الانتقام وكشف غموض المخرج الذي دمر حياته ،يبدأ سكوت التحقيق سرا بالبحث عن كل تحركاتها في الفترة التي سبقت وفاتها لتيقنه أن لغموض وظلام أبيها دور في مصرعهاليتعرف علي حياة اشلي من خلال التحقيقات، طفولتها كمعجزة فنية في عزف البيانو ، تبعتها حياة مراهقة انتهت بغتة ككل شئ بحياتها القصيرة المليئة بالغموض،الاضطرابات النفسية، سحر اسود وربما مس شيطانيحياة حافلة متعددة معقدة ذات اكثر من جانب مختلف..متضارب احيانا.. يتعرف عليها من كل من اقترب منها ولو بشكل بسيطلم تكشف تحقيقات الشرطة عن اي احد شاهد اشلي قبيل مصرعها بعدة ساعات سوي حاملة معاطف بقاعة فندق..نورا هاليداينورا هاليدايشريكة في التحقيقات رغما عن رغبة سكوت ماكجراثفتاة غريبة الاطوار، تعشق الفن والتمثيل ، ذات ماض معقد حزين، كل ماتملكه في الحياة مجموعة ازياء من حقبة تسعينات القرن الماضي صاحبها كان مروض احصنة شاذ يهوي إرتداء الملابس النسائية، وكل من لها في الحياة بغبغاء عجوز توارثته اجيال، يشك سكوت ماكجراث انه يجلب الحظ السئ ربما لنشاتها في دار مسنين "تيرا هيرموسا"، او ربما لموهبتها التمثيلية التي تجعل اقل الممثلين يتقلبون في قبورهم ضجرا -علي الشغلانة اللي لمت- ستشعر بانها لمسة إنسانية مميزة بالاحداث بكل حكاويها علي معايشتها مع كبار السن والمسنينكانت تعمل كحاملة معاطف بقاعة مطعم بفندق، وعلي حسب التحقيقات فهي من اخذ معطف اشلي عندما حضرت لقاعة الفندق قبل مصرعها بساعات قليلة لتخرج بعدها بقليل مسرعة دون حتي ان تاخذ معطفهالهذا قابلها سكوت ماكجراث اثناء تحقيقاته ليعرف لماذا اتت اشلي لقاعة الفندق ثم غادرت مسرعة، و تصمم نورا علي ان ترافق سكوت في التحقيقات لمجرد انها تملك معطف اشلي كوردوفا ،حيث احتفظت به وبدلته حين طلبته شرطة التحقيقاتهذا المعطف الاحمر سيكون له دورا مساعدا في تحقيقات سكوتولكن ما السبب الحقيقي وراء إصرار نورا علي مشاركة سكوت التحقيقات...هذا ما عليه ان يكتشفهويكتشف ايضا سر اصرارها علي ان يشاركهم طرفا ثالثا قابلوه اثناء التحقيق حيث عثر عليه سكوت يحوم حول المكان الذي انتحرت فيه اشليهوبر كولهوبر كولمراهق من نفس عمر اشلي، يكتشف سكوت ماكجراث انه كان يعرف اشلي معرفة سطحية من خلال معسكر تخييم اصلاحي للمراهقين كانا به سوياياتي له طرد بلا أسم، به دمية قديمة غريبة من عنوان غامض، يكتشف انه عنوان المستودع الذي انتحرت فيه اشليفما علاقتها بالطرد، ولماذا يشعر سكوت ماكجراث انه يخفي اكثر مما يحكيولماذا يصر ذلك الشاب المراهق اللاهي الاشتراك والالتزام مع سكوت ماكجراث في التحقيقاتهناك وشم غريب وجده الطب الشرعي بجسد آشلي , وشم لحيوان اسطوري اسيوي "الكيرين" الذي يرمز ظهوره للأنتقام للمظلومينفما معني ذلك؟ ومامعني الدمية العجيبة التي تم ارسالها لهوبروهل سينجح، هو و نورا، في مساعدة سكوت في كشف الحقيقة ولو بابسط شكل، أم لن ينجحا إلا في عرقلته؟كل هذه الشخصيات سواء بحضورها في الاحداث او مجرد التحقيق ورائها ستتشابك في تلك القصة الجهنميةالتحقيق في مصرع اشليلتصطدم بكل الاحداث الغريبة والمرعبة وحتي الانسانيةوكأي فيلما يحترم نفسه، ستجد المطاردات، قصص الحب، هلوسات ومفاجات تقلب الاحداث~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~مشاهد لا تفوتك في الفيلم الليلي~~~~~~~~~~~~~~~~~~~~~~~~~***** مشاهد محل بيع ادوات السحر بنيويورك **************** Enchantments *********** يمكنك ان تتخيل مدي دهشتي لاكتشاف ان هذا المحل موجود فعلا في الحقيقة كما كنت استشعر ذلك حقا، عثرت علي صوره وموقعه خلال كتابة الريفيو وهو بالظبط كما تصورته من خلال الوصف بالروايةويمكنك شراء الشموع التي تبطل الاعمال السفلية اونلاين، بالطبع ان لم توقفها الجماركالمشاهد التي بهذا المحل بالرواية كانت كئيبة ومقبضة بنفس الوقت وبها الكثير من الاشارات لاشياء حقيقة تستخدم في السحر الاسود علي مر التاريخ ، كتراب المقابر والطلاسم والتي قد تذكرك بالاعمال السفلية الشهيرة بمصر وبعض الدول العربية***** مشهد الملهي الليلي السري *************** Oubliette **********يا الله علي هذا المكان الذي سيستغرق منك وقتا لاستيعاب تصميمه وجغرافيتهمكان مثير بحق ،ويستحق عناء محاولة تخيل هذا الملهي الليلي الذي يشبه وجودك في حديقة مفتوحة بالنهار ،مليئة بالنباتات الاستوائية والاعمدة الرومانية بالرغم من انك بداخل ملهي ليلي مغلق***** مشاهد استوديوهات تصوير كوردوفا *****رحلة غريبة ودوار سيصحبك خلال تلك المشاهد، مع الكثير من قصص افلام كوردوفاالعجيب أن تلك الرحلة يختلط بها الحقائق مع الهلوسة بشكل يصيبك بدوار حقيقي , حتي الجزء نفسه يبدأ بصفحة سوداء تماما وينتهي بمثيلتها..وتتوقف فيه حتي ترقيم الفصول!! ألم أقل لك أنها رحلة غريبة؟هذا بخلاف الكثير من مشاهد ردود افعال بعض الشخصيات وايماءتها ونظراتها ستثلج ظهرك وقت قراءتها في كثير من الاحيان ،لااعتقد اني ساستطيع حصرها وايضا كي لا احرق الاحداث~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~جمل لا تنسي~~~~~~~~~~~~~~~~كما قلت الرواية بها شئ من السخرية اللاذعة لمجتمعنا المادي التجاريربما كان من ميزة افلام كوردوفا هي انها تفتح عينيك التي يغمضها لك قسرا المجتمع التجاري، تفتح عينيك علي حقيقة الحياة والبشروقد تضمنت الرواية علي لسان سكوت ماكجراث الكثير من تلك الجمل الساخرة التي زادت من اعجابي بشخصيته“God, the boring relative everyone ignores—no one calls, no one writes—until they need a serious favor.”“It appeared in the Internet age, pianos, like physical books, were fast becoming culturally extinct. They'd probably stay that way unless Apple invented the iPiano, which fit inside your pocket and could be mastered via text message. With the iPiano, anyone can be an iMozart. Then, you could compose your own iRequiem for your own iFuneral attended by millions of your iFriends who iLoved you.” صديقه الأكاديمي العاشق للسينما بالأخص افلام كوردوفا“Have you seen the world lately, McGrath? The cruelty, the lack of connection? If you're an artist, I'm sure you can't help but wonder what it's all for. We're living longer, we social network alone with our screens, and our depth of feeling gets shallower. Soon it'll be nothing but a tide pool, then a thimble of water, then a micro drop.”ولا ننسي حوار كوردوفا والذي بمقدمة الرواية“Mortal fear is as crucial a thing to our lives as love. It cuts to the core of our being and shows us what we are. Will you step back and cover your eyes? Or will you have the strength to walk to the precipice and look out? Do you want to know what is there or live in the dark delusion that this commercial world insists we remain sealed inside like blind caterpillars in an eternal cocoon? Will you curl up with your eyes closed and die? Or can you fight your way out of it and fly? —STANISLAS CORDOVA Rolling Stone, December 29, 1977” ولكن الاكثر شاعرية وانسانية منها كانت جمل نورا ، ذات الماضي الذي قد يبدو لك بائسا ولكنه جعلها تفهم الحياة ربما افضل من سكوت ماكجراث الذي هو في ضعف عمرها“It's a terrible thing, to lie. It's a field you keep seeding and watering and plowing, but nothing will ever grow on it.” علاقتها مع سكوت واشتراكها في التحقيقات برغم غموض دوافعه كانت اكثر من رائعة.. وكثرة أشاراتها لتيرا هيرموسا , منزل العجزة كان يجعلني دائما ابتسم واحزن بنفس الوقت“Don’t cook for me. Or clean. This is a black-and-white working relationship.”“It’s just eggs.”“I’m forty-three. I don’t need help feeding myself.”“Not yet. There was this man, Cody Johnson, at Terra Hermosa? He showed signs of dementia around thirty-nine.”“I think I’ve heard this story before. He died alone?”“Everyone dies alone.”There was little to add to that. Whenever the girl brought up Terra Hermosa it was like spraying DDT on the conversation—an instant killer.“You remind me of this man back at Terra Hermosa.”“What the hell’s Terra Hermosa?”“A retirement community. His name was Hank Weed. At mealtimes he’d always take the good table by the window and put his walker against the empty seat so no one else could sit down and see the view. He died like that.”I didn’t answer, silenced by the sudden realization that I had absolutely no idea if any of what came out of this girl’s mouth was true. Maybe she was really good at improv. I couldn’t be certain she was nineteen or that her name really was Nora Halliday. وحتي كليو , صاحبة محل السحر العجيب“A Tornado knocks a house down, killing the owner, and it’s a tragedy. Then you learn a serial killer lived there and the same act becomes a miracle. The truth about what happens to us in this world keeps changing. Always. It never stops. Sometimes not even after death.” واخيرا"مقارنات لابد منها"*********المؤلفة بارعة في اللغة وهو ما ارهقني في ترجمة كثير من الكلمات بالبداية حتي اعتدت اسلوبها ،ذكرتني كثيرا باسلوب جي كي رولينج بالاخص في الاستطرادات الكثيرة والوصف في الاماكن والتعمق في الشخصياتالغريب في الامر ان تصدر تلك الرواية في خلال شهرين فحسب من صدور The Cuckoo's Callingلجي كي رولينج، بالتحديد في 16 يوليو 2013، نفس تاريخ صدور خبر معرفة حقيقة مؤلفة الرواية الاوليللمزيد راجعريفيو نداء الكوكوالمصادفة تأتي ان كلا الروايتين بهما محقق يحقق في حقيقة حادث انتحار فتاة شابة شهيرة، وكلاهما يتصادف ان يقع في طريقه بشكل غير متوقع مساعدة تشاركه في التحقيقاتكلا المحققان لهما حياة شخصية عاطفية مدمرة، ذئبان متوحدان ، وربما لهذا تخيلت سكوت ماكجراث كهيو جاكمان تماما كما تخيلت كورموران سترايك، مع تغيير طابعه للاستايل الامريكي بدلا من الانجليزيكلا الروايتان مختلفتان تماما في ما عدا هذا من حالة المحققان المادية وحتي تفاصيل كل الاحداث وطابع الرواية، لا يتشابهان بعد ذلك سوي في دقة رسم الاحداث والشخصيات والاماكن ، لندن في الاولي و نيويورك بالثانيةLair of Dreams ايضا كان مثيرا ان يتصادف قرائتي للرواية قبلThe Diviners الجزء الثاني منوالتي تدور ايضا بنفس اماكن التي تدور بها احداث الفيلم الليلي من مانهاتان وشايناتاون ،ولكن قبلها بحوالي 90 عاماكما ان اسلوب الرواية الذي يضم صور من مجلات ومطبوعات شبيه لنفس طراز روايةThe Supernatural Enhancementsوان كانت الاخيرة تعتمد فقط علي الصور وتفريغات المحادثات والكاميرات في السرد ،وليس الراوي كما في الفيلم الليليولكن بسببها تم ترشيح رواية الفيلم الليلي لي لتشابه الفكرةوايضا هناك تشابهه بينها وبين The Callingحيث هناك روابط تنقلك علي مواقع علي الانترنت لمعلومات اضافية عن الاحداث حيث مثلا ستستمع لمقطع صوتي لتوزيع جوائز الاوسكار مثلا والتي وصفتها المؤلفة ضمن الأحداثمقطع صوتي من رواية مسموعة تم ذكرها في الاحداث, ستستمع للفصل الأول منها بصوت عجيب مقبض بارع في القاء القصة بشكل جهنميوغيرها الكثير , ولكن الفرق انها تعمل عن طريق برنامج ماسح ضوئي علي الهواتف الذكية والتابلت في النهاية هي رواية قد ترهقك في البداية لكنها رواية تستحق القراءةومهما شعرت ان وقت قراءتها قد يزيد عن وقت قراءة روايات اخري بنفس الحجم الا انك لن تود ان ينتهي الفيلم الليلي ابداوستظل تطاردك كثيرا كما طاردت أشلي سكوت ماكجراثسيظل يطاردك أسئلة كثيرةالانتقام ام التسامح؟العيش في خوف من السحر والشيطان ام التحرر من الخوف وقهره؟هل مازال هناك مشاعر حقيقية بعالمنا المادي التجاري البحت؟هل هناك صداقة؟ تعاطف؟ أم الأنتقام وسواده وعبادة الشيطان والمادة أعمتنا؟اذا اردت ان تقترب اكثر من تلك الأسئلة , فلا تدع الفيلم الليلي يفوتكمحمد العربيمشاهدةمن 16 نوفمبر 2015الي 28 نوفمبر 2015

  • Delee
    2018-12-05 13:46

    Today is the day Night Film hits the shelves! I received a copy of this book from first reads giveaway. :) :) :) May I just say WOW!This was a case of love at first sight. I fell in love with NIGHT FILM before I even knew what it was about. I was trolling through the Goodreads giveaways and spotted the cover and I thought "I must have this book!" Then I read the blurb, and I said to myself " I reeeeeeeeeeally must have this book!" So I watched and I waited for what seemed like a really looooong time, and low and behold I was one of the winners! Every day I would go out to the mail with the hope it would be there, and then one day it was.....I opened the package and it was gloooooorious!There were pictures....and case files and notes, and more pictures...It was my soul-mate book...I waited for the perfect time to read it. A stormy night, candles lit, house dark...Since I love watching movies and TV almost as much as I love reading, many times when I am reading a book I get images of something I have watched in the past or music of soundtracks play in my head. The first chapter of NIGHT FILM conjured up images from the movie (which is also a short story)-Don't Look Now-creepy images of a girl in a bright red coat disappearing and re-appearing. The music from Twin Peaks played. I was hooked...Scott McGrath has ruined his career. He lost everything, his job, his wife, custody of his daughter, and his own self-respect, all because of his obsession with a recluse cult movie director by the name of Cordova. The last thing he should do is pursue him again, but after Cordova’s daughter- Ashley supposedly jumps to her death, McGrath can't turn away. Joining him on his quest are- Hopper a damaged past acquaintance of Ashley's, and Nora- a part time coat check girl and wannabe actress.I will not bore you with more of the details. This is another one of those books I believe that should be read not knowing too much about it. It is a perfect book. There are no flaws in my opinion. What I will say is don't rush through it...savor it, because it WILL be the best thing you read this year!

  • Regan
    2018-12-06 08:42

    well uh, this was a mind f*cker "to the edge of the end" - yup sums it up I would say

  • Jeffrey Keeten
    2018-11-14 11:35

    ”Whatever the truth about Cordova, within fifteen horrifying films, he taught us how our eyes and minds perpetually deceive us--that what we know to be certain never is.”In the shadows stood a girl in a red coat.Stanislas Cordova disappeared from public life thirty years ago. Scott McGrath, an investigative reporter, made an attempt to uncover the truth about Cordova and his films. McGrath paid a heavy price financially when Cordova sued him, and also professionally when some of his allegations proved to be based on chimeric evidence. It wasn’t that he was necessarily wrong; it was just that he couldn’t conclusively prove he was right. The Cordova films are fascinating, disturbing, and not readily available. Part of the lure of them is that basically the only way you can see them is from the original film canisters or from bootlegged VCR tapes. Cordova film watching parties are thrown, but the people invited to those parties are those exclusively hip enough to know that watching a Cordova film should be on their bucket list. So who is Cordova? A question that McGrath keeps asking those few who knew him who are willing to talk. ”He was the vampire. He made you feel like he loved you, like you were the dearest person in the world to him; all the while he was sucking you dry, leeching your life out of you. You’d spend an hour with him. Afterward, you were a carcass. You lost all sense of yourself, all dimension, as if there were no difference between you and the chair you were sitting in. He’d be more alive, of course, invigorated for a week, writing, filming, insatiable, so wildly alive. Art, language, food, men, women---they had to be constantly fed to him as if he were a ravenous beast that could barely be contained within human walls. There was no end to his appetites.”When Ashley Cordova, the filmmaker’s daughter, commits suicide by hurling herself off a building, McGrath, despite still recovering from his last losing bout against Cordova, senses that finally he has a line of inquiry that might lead him to vindication. He is convinced that Cordova is evil, and his daughter’s death can’t possibly be a coincidence. McGrath traces Ashley’s final days as she goes from rehab to lockdown to living in a dilapidated building. He picks up a Scooby Gang of a girl named Nora and the “loneliest boy in the world” named Hopper. Both are marginally connected to Ashley. Like everyone else that met Ashley, even in the briefest of situations, Nora and Hopper were profoundly changed by meeting her. There was something strange about the girl with the red coat, the girl with the piercing gaze, the girl who played piano like Mozart and who was so strikingly beautiful that men and women found her irresistible. She was smart and profoundly sad. She was a bird chained to a life that even in death one wonders if she could ever fly far enough away to escape. As McGrath continues to investigate, tirelessly tracking down anyone who once worked with Cordova he starts to unravel more and more madness. Madness that spills into his own mind. ”My memories seemed to have been trashed, ripped and crumpled, strewn haphazardly around my head.”Cordova without ever meeting McGrath has a finger stirring in the journalist’s mind. The Filmmaker has spent a lifetime manipulating people, conjuring up demented versions of the truth, and using his sinister intelligence to control every situation. Life, for Cordova,is but a larger version of a movie set. McGrath and his gang, not surprisingly, are overmatched at every turn. The question is how far will McGrath take this quest? Can he catch a phantom? Is Cordova even Cordova anymore? Does the need for revenge outweigh the need for the truth?Marisha Pessl has written a compelling story where she makes the reader feel s/he is directly involved with the investigation. She does this by sharing the screenshots of the research documents that the team finds on the web and the pages of the police dossiers that a McGrath mole shares with them. Witnesses disappear almost as quickly as they are found. No one can give McGrath a clear and distinct picture of Cordova, his Moriarty. The slivers and crumbs of information he collects only create a puzzle without edges that spiral him deeper into a black hexagon of his own lunacy. And all along in the shadows stood a girl in a red coat. If you wish to see more of my most recent book and movie reviews, visit http://www.jeffreykeeten.comI also have a Facebook blogger page at:https://www.facebook.com/JeffreyKeeten

  • j e w e l s [Books Bejeweled]
    2018-12-03 15:32

    NO SPOILERS. I PROMISE!After spending a whole day peeling back the Night Film tentacles from around my head, I can gratefully report that I’m almost back to my normal self after reading this one.Let me correct the last part of that sentence. One does not simply read Night Film. Before you open this book, take a moment to prepare yourself.You are about to enter into a multi-media, multi-sensory whole body experience. GURRRL, GET READY FOR A black magic spell to be cast upon your coconut. You will know nothing but Night Film. Think of nothing but Night Film. If you do sleep, your dreams will be the creepy, dark type. You start to feel you are being watched. You will dig out your long lost pepper spray and start carrying it with you on walks. You will find yourself googling Stanislas Cordova. Was he actually given the 1980 Oscar for Best Director by the lovely Goldie Hawn?YES! YOU KNOW IT’S FICTIONAL, BUT YOUR MIND WON’T ACCEPT THE FACT. It is presented in such a realistic manner with authentic photos, videos, and articles from Vanity Fair, The Rolling Stone, Time Magazine and The New York Times. There are police reports, artifacts, and interview transcriptions to help with your investigation. It’s one thing to read about a haunting photo, but to have that photo to study for yourself? Genius.PLOT SUMMARY: The daughter of a reclusive horror-film director Stanislas Cordova is found dead, and fallen journalist Scott McGrath falls into a maddening wormhole of trying to uncover the truth behind the girl’s murder. Night Film gets darker and more twisted the deeper McGrath ventures into Cordova’s world—the man hasn’t been seen in public in 30 years, and his films are so horrifying that it’s believed the person who created them must be seriously disturbed as well.The book is bone-chilling scary, but not in an obvious slasher way. The author creates and instills just enough fear to make your imagination run away with a suitcase and never come back. This is a major theme of Night Film: the power of imagination and the human mind which seeks to bridge the gap between the two. When faced with the unknown, we tend to look for answers in religion or just plain old superstitions. Can our fears all be explained in concrete, provable terms? Does evil always have to have a reason to exist? Pessl doesn’t give us all the answers and that’s why every person that reads Night Film will take away something different. I love that.A genre-bending book, I have no idea how it could be classified justly. I would recommend it first and foremost just for the murder investigation at the heart of the plot. From the prologue until the bitter end, discovering what really happened to Ashley Cordova will keep you turning the pages all night. Now, add in the multi-media presentation because that greatly enhances the story and experience. This technique is unique without being gimmicky, and is truly original. Next, sprinkle in some Stephen King horror elements and just a touch of the supernatural–voila! You have Night Film.This is not a perfect book, much as I want all my favorites to be. It is a bit too long and the ending is not as satisfying as it could be. But, these minor points are easily overcome by Pessl’s fabulous writing style. She reminds me of my two spirit animals, Gillian Flynn and Tana French, writing in a fluid, descriptive manner. Her characters are fleshed out, the plot is addictive and the mood she sets? Wow. Dark, haunting, sobering.I began this book on audio. I quickly realized I needed to see written words, since this is a complex GIANT novel. It was only then that I understood how much I would have missed by sticking only with audio! I hadn’t read a ton of reviews and I didn’t even know about the multi-media part of the book. Trust me! This is where the magic happens! You feel like you are right there on the case with Scott McGrath, studying clues and helping to solve the twisted Cordova mystery.The Kindle multi-media version is amazing and when coupled with the astonishingly good audio, well, you can understand why I had to recover a day when I finished. If you are open to a bit of horror in your psychologically twisty mysteries, this is the book for you. I can’t recommend it enough!

  • Jennifer Masterson
    2018-11-10 13:51

    4.5 Stars. I listened to the audio version. I'm late to the party but boy am I glad I went! This book has been reviewed to death so I will just give my thoughts on it.This is a fantastic audiobook if you have the time! It's over 23 hours! 5 Stars for the story, especially since it kept me guessing until the end.4 Stars for how this book translated into audio. There were a couple parts that were difficult but if you have a copy of the book on hand it will help.5 Huge Stars for the narration by actor Jake Weber! His performance was brilliant!Highly recommended for thriller/suspense fans who have yet to read this book.

  • Kemper
    2018-11-23 08:29

    Either I’m a lot dumber than I thought, or this book isn’t as smart as it thinks it is. Or maybe both. Ambiguity! It’s a bitch. Scott McGrath used to be a hotshot investigative journalist until he started looking into mysterious and reclusive film director Stanilas Cordova who has been holed up in his remote estate making underground masterpieces of suspense that seem to ruin the lives of almost everyone involved with them. (Think M. Night Shyamalan before we all realized that he actually sucks.) McGrath trashed his career by making accusations against Cordova based on a single source he didn’t verify. When Cordova’s talented daughter Ashley commits suicide by leaping down an elevator shaft in an abandoned building McGrath decides that he can vindicate himself by looking into her death as a way into once again digging into Cordova’s life. Circumstances force McGrath into a reluctant partnership with a shady young man with a personal connection to Ashley and a young actress wannabe who met the doomed woman shortly before she died.That’s when things start getting weird. Is Cordova a brilliant but eccentric filmmaker, or is he an evil puppet master willing and capable of destroying people’s lives via unknown forces? Was Ashley just a confused young woman who met an untimely end, or was she stalked by supernatural evil brought about somehow by her father? McGrath’s investigation dumps him into a maze that leaves him questioning reality itself.As a kid growing up in the ‘70s there were some horror movies that took on an almost legendary quality back in those pre-Internet days. You’d hear adults talking about something called The Texas Chainsaw Massacre and someone with wide eyes would confidently assert in a whisper that it was based on a true story. Or some kid at school would tell you that that his brother had told him that the devil was actually in The Exorcist. There’s a story in my family about how my aunt was so terrified after seeing The Shining that she demanded that my uncle take her to another movie immediately afterwards because she was positive that she wouldn’t be able to sleep for days if she didn’t do something to try and get it out of her head that very second.That’s the power that horror movies used to have, and I think a lot of that has been lost in these days of DVD directors' commentaries and IMDB trivia pages. What I liked a lot about Night Film is that it seemed to recapture some of that old spirit. One of the creepiest aspects was that idea that a movie can be dangerous because some filmmakers are so deranged and/or tapped into something strange that could literally cause psychological damage to a viewer. Cordova as this mysterious figure whose films inspire underground viewings and a cult following was suitably spooky and unsettling. There’s an underlying theme of hidden worlds that can be accessed or expressed via film that I would have liked more of.I think where I ran into problems personally is that the book tries to have it both ways. It’s functioning on some levels as a pretty standard thriller, and if you judge it like that, I found things like the characters actions and plot machinations kind of cliched. However, if you look at it as more of a David Lynch kind of experience, something where the normal rules get checked at the door, then it feels more ambitious and even a little dangerous. Yet, it doesn’t seem to want to just dive in and go bananas either. It was almost like the grounding of the story dug in a little too much and started to feel like an anchor that really didn’t let the weird aspects hit their fullest potential. It’s hard to explain without writing an entire essay about the plot. I can sum it up by saying that while I know the story is about the ambiguity of walking through the shadows, I think it either needed to turn the lights completely on or off at some point. Which isn’t entirely fair because it’s obvious that the author was trying to walk that line and does it pretty well, but for me I would have liked a bit more commitment one way or another.One other note about the multimedia aspects. The book has a lot of graphics in the form of pictures, news stories, and web pages, and I downloaded the app that lets you scan some of these that provides bonus content like audio recordings or a diary of a character. That was generally well done as a way to provide some extra atmosphere without being too much of a distraction. I wouldn’t want it in every book, but for a story like this it was a gimmick that worked well without being overused.

  • Emma Giordano
    2018-11-30 13:28

    MY GOD THIS BOOK WAS AMAZING!!I absolutely ADORED Night Film! I had been putting off this book for quite a while 1. because it's GIANT and 2. it's adult, and I am primarily a young adult reader. The synopsis of the book really intrigued me because I am such a junkie for anything psychological, thrilling, investigative, and mysterious, so I felt that Night Film would be the perfect fit for me . . . AND IT WAS!Night Film was honestly SO gripping! The visualization of this story was off the charts; it was so easy to see the characters racing along the streets of New York, inside different building and locations and the inclusion of the website screen caps, newspaper articles, and other forms of mixed media only added to it! Honestly, I had wanted more of the mixed media and I felt there were good areas to incorporate it, but nonetheless, what was included was a great addition to the story! If there was ever a book that truly needed a film adaptation, it's Night Film! This story could so easily be translated on screen due to the fact that it is already SO vivid.The dynamic of the characters was really interesting! Truth be told, I wasn't the biggest fan of our protagonist, Scott McGrath. He was fairly problematic to me, very selfish, did not have his priorities in order, did not treat those in his life probably (ESPECIALLY his daughter, which bothered me to no end), but his innate determination made for a fascinating story. I definitely think Nora was my favorite character, so ambitious and brace yet still such a vision of hope! Hopper was somewhat sketchy at certain parts of the story, but his dedication to Ashley was admirable and he was such an interesting character to learn about.Surprisingly, I really enjoyed that most of this book was told in flashbacks and memories. In high school English glass, flashbacks were the bane of my existence (if you had literary devices shoved down your throat and were forced to constantly recognize them all, you'd hate them too) but I was taken aback when I realized how in to them I was in this specific story. It was so cool to watch all of these different recounts for various strangers fit together on a time line to form one continuous story. Again, the visualization of these scenes were perfect, and it made for a really compelling story.On a less serious note, this book gave me such a desire for a real life Cordova! Given we had a producer of similar nature, I would TOTALLY be a Cordovite, spending all my time on the blackboards researching this man's life and his films. I have a knack for researching on the creepy side of the internet, hence why I probably loved Night Film so much, so I can only assume I'd be one of the dedicated followers. The cultural phenomenon surrounding these films was FASCINATING and slightly reminded me of the craze around James Halliday from Ready Player One by Ernest Cline, but on a more personal and intense scale.The only thing I felt was slightly disappointing about the novel was the ending, honestly. This book was CRAZY, intense, edge-of-your-seat all the way through, but the ending pales in comparison to the excitement of the bulk of the story. I fully understand why things wrapped up the way they did, and it brought an interesting morale to the plot, but I was really hoping for something equally as insane to end it all.In conclusion, I LOVED Night Film. It's honestly one of my favorite books of 2016 so far, and I'm not sure why I've waited to long to read it after knowing how fantastic it is. It has definitely turned me on to the Adult Mystery/ Psychological Thriller genre, and I will be sure to make more of an effort to include more books like this in my reading after realizing how much I love it. I would absolutely recommend it to ANYONE looking for a thrilling and intoxicating read!

  • Jason
    2018-12-03 10:40

    It is often the roll your eye moments of books or movies that weaken the reading/viewing experience for me, but I have to be honest in saying that I cannot always define what exactly triggers those eye rolls. I think sometimes it is the predictability of the plot, other times the outrageousness of coincidence or lack of plausibility. If I get the impression I am being manipulated to feel a certain way, I bristle and balk. But what happens when a book commits one or more of these grave errors and I don’t roll my eyes? What was different that time? Did the book just happen to execute things more effectively? Did it possess some other, albeit unrelated, redeeming quality that allowed me to overlook certain flaws? Or does it really all come down to my state-of-mind at the time of reading?I do not have the answers to these questions, but I do know that I really enjoyed Night Film—despite its main character being a bit of a retard (not to mention a lousy father), despite motivations that stem more from a sake of convenience than from any reasonable source, and despite the intrusion of the wild and zany into what is otherwise a reality-based investigative thriller.So what did I like about this book? I liked the writing, I liked the supporting characters—not just the peripheral ones but also the ones who exist only in the ethereal sense. I enjoyed the twists and turns, which are perfectly timed and manage to prevent some elements from being revealed until the final page. I liked that not everything is ultimately revealed and I like what that says about who we are, as readers, and what we want out of a story. There may be two sides to a coin but at the end of the day it is the same coin, and maybe you need both sides to complete a picture. Or maybe that picture is never really complete because it exists in an ever-changing reality and all you can do is theorize and deduce and grab hold of whichever belief helps you sleep best at night, hoping nothing will come along later to challenge that belief, but still preparing yourself for that possibility because it almost always happens eventually, one way or the other, doesn’t it?My apologies for the vagueness there but when you finish the book you’ll understand. Or maybe you will just roll your eyes and think, “whatever, man.” Either way.

  • Melanie
    2018-11-17 09:54

    This review is probably going to be on the controversial side, but I found Night Film very racist, transphobic, and sexist. Some of the dialogue was so problematic for me that I had to take constant breaks. I even had to use a reward system to just finish this book. I know many of my friends, who I respect and love, gave this five stars. Some even claimed it was their favorite read of 2015. I'm happy for them, and I'm happy a book brought them so much joy. That's the beauty of reading: everyone is going to read, interpret, and feel different. I will always respect their feelings, and I hope people can respect mine. Night Film is about an investigative journalist, Scott, who is pretty obsessed with a film maker, Cordova, and his cult following. In his past, Scott tried to write a story and uncover some dirt on Cordova, but ended up getting sued and having a really detrimental impact on his career. Now, Cordova's daughter, who is only twenty-four, has committed suicide. Scott finds himself unable to stay away, and starts a new investigation on Cordova, and this time he has two unconventional helpers.This book feels really linear. Like, Scott and his new sidekicks going to one person after another person, just interviewing them and getting information that will eventually lead them to another person. This very much was a crime detective read, with very little action. We got many short, little bursts, that felt very repetitive, and the eventual big bang fell very short.Also, we'd constantly be told how hard whatever information we were trying to get would be to get, but every freaking person Scott talked to would just sing their life story with Cordova. I mean, how lucky can this white man get? There are paranormal elements in this book, and I wasn't expecting it, and I was actually really enjoying it, but with the ending of this book, it leaves a lot to wonder about. (view spoiler)[The ending I ,personally, picture is Ashley totally still running from the devil, and Hopper leaves to South America to be with her. (hide spoiler)]This book has a lot of multimedia in it, which makes the book feel very real, because it is very interactive. You are able to read the news articles and web pages (which were pretty cringe-worthy at times, I'm not going to lie,) see some evidence, crime reports, and pictures, and so on and so forth. This is a really cool concept that I haven't seen too many authors do, but I feel like it does make it a more enjoyable reading experience. These elements make the book longer, too. And, Good Lord, it felt long to me. Normally a 550 page books takes me a few days to read, especially with multimedia elements, but this book too me all of October to read, and then I finally had to bribe myself to finish it early November. Basically, this was a rough read for me because Scott, the main protagonist of this thriller, is sexist, racist and transphobic. He shows the signs of this everywhere (look, I can use italics just like the author does constantly.) He judges the PoC, and the PoC's only purpose throughout this book is to help the main, white, privileged main character. To explain some of my feelings, I'm going to have to state some SPOILERS! Please, do not continue on with this review if you have not read this book, because you will be spoiled. Maybe I'm being harsh, but these constant, problematic themes became really apparent to me:- Stereotypical Hispanic hotel maid, while Scott was getting information.- Cordova's Hispanic right hand woman, Inez, who drove from Mexico a lot, therefore, she had to be a human trafficker. -The black taxi-driver that had gold teeth and purposely drove around to take more of Scott's money (which he throws around, constantly). Also, I think this might be the only black representation in this very white book.- When Scott talks with a Chinese business owner, he makes inner-monologue comments about his "long forehead" and his "Great Wall" flip-flops. Like, what the hell am I reading? - Orlando, another PoC who was written stereotypical and overweight, dies because a white main character didn't want him to tag along, so the only way he knew how to get rid of him was to... be emotional abusive and mean, to the point where Orlando kills himself. Get the fuck out of here with this trash writing. This plot point made me the angriest of the whole book. - How bitter Scott is about his ex-wife leaving him, and his constant remarks on her looks. How he wished, by now, she would be not as good looking, and other things of that nature. You know, because not having a good looking wife anymore hurts him more than literally any other aspect of not being in a relationship with a woman you've known over half your life and have a child with. Looks > anything. - Scott's feelings when he goes to the night club, and realizes the attractive women were actually once men. He's very disrespectful, and starts judging them, and starts saying "he" as their pronouns. He couldn't wrap his head about a BDSM club or the fact some "successful men torture themselves for fun." It's double funny, because, at the beginning of this book, he talks about a sexual partner of his that was so boring, because the girl didn't speak. - How the 19 year female sidekick, who is constantly written as unintelligent, couldn't resist the 43 year old main characters, because.... reasons? There was no build up, nothing, just one night she decided to confess her love for him and offer herself to him. Scott is gross, and so is his male sidekick. He's not unlikable in the way of "oh, he's supposed to be unlikable." He's unlikable in the way of "oh, he's a racist who can't see past his privilege." Like, this book really highlights white, able-bodied, male privilege. And maybe I'm the only one that couldn't look away, but it was painful for me to read. Scott being problematic was way scarier than the mystery surrounding Ashley could ever wish to be.This book was disappointing, over-hyped, and left a terrible taste in my mouth. Blog | Twitter | Tumblr | Instagram | Youtube | Twitch["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>

  • Jeff
    2018-12-04 07:51

    Back in high school English class, when the topic turned to themes or leitmotifs or metaphors that was my cue to zone out and explore my theoretical sex life; consequently, a book that wears this kind of stuff on its sleeve has a tendency to leave me cold – it all swirls around a creepy, reclusive film director whose work challenges his fans to rethink what the meaning of life is all about. (Whatever happened to Joel Schumacher?) Toss in the death of his daughter (Did she jump or was she pushed?), a disgraced journalist, a Scooby Doo-esque team-up, the occult and some fairly hair raising sequences and you have this book.The occasional thrills aside, this book seemed to take forever to plod through. For me the main character was a plot sieve, the humor forced, the metaphors clunky. The book lurched to a start and didn’t gain momentum until about two-thirds in, where the writing seemed to coalesce and the author really achieved her stride, although this is an issue that could be laid on poor editing.As the protagonist explores the mysterious death of the girl in the red coat, the book uses pictures of internet pages to make the info dump more palatable to the reader and it works - I looked forward to these breaks from actual “reading”.Trying to create a fictional film oeuvre for the film director was a monumental task and it seemed like the author never quite got this off the ground. “Need some sort of meta-commentary on the story, lets come up with another film to explore.”The only character I really felt any connection to was Nora, one of the Scooby Doo kids, the other meddlesome punk, Hopper, I wanted to punch in the throat or maybe have sacrificed in an elaborate black mass.The nebulous ending has drawn complaints, but that didn’t bother me as much as the pot-hole ridden trip to get there. Some nice chills and thrills, some puzzling plot developments (view spoiler)[ (Hey, remember when I was locked away for days in a hanging hexagonal coffin and left for dead? Me neither.(hide spoiler)], some crappy characterizations and wooden dialogue equals an average read. This has gotten some glowing reviews from some of my much smarter Goodreads friends so your mileage may vary.["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>

  • Dan Schwent
    2018-11-15 14:32

    When the daughter of a legendary reclusive film director commits suicide, disgraced investigative reporter Scott McGrath sees his chance for redemption, for he crossed paths with the director, Stanislas Cordova, years before, costing him his family and his career. What will McGrath find when he begins tugging at the strands of Cordova's web?When I interviewed Edward Lorn for my book blog, he mentioned this among his favorite books. At the time, I saw that it had some post-modern aspects and dismissed it as hokum. Last week, I chanced upon it on the bargain table and decided to give it a shot.Night Film is the tale of a man's obsession. Picture Moby Dick but with a film director in place of the white whale. Scott McGrath was once a rising star in the field of journalism but lost everything when he crossed Stanislas Cordova. When Ashley Cordova commits suicide, the hunt is on once again.The book has the structure of a detective story, interspersed with articles and web postings about Stanislas Cordova and his family and associates. Normally, I would scoff and pronounce this gimmicky crap but it served the story very well. McGrath descends deeper and deeper into the web of dark tales about Cordova, pulling his new friends Hopper and Nora, both touched by Ashley Cordova in the past, down with him. Is Cordova Satan himself? Some kind of witch or warlock? A child killer? A genius or a madman? Who the hell knows?I'm not really doing the book justice. I think the creepiest thing about it was that none of it is outside the realm of possibility. By the time I passed the 66% mark, I was contemplating taking a day off work to finish it. It wound up being an even crazier tale than I ever expected when I first picked up the book.The writing reminded me of Tana French a bit, literary but still suited to a detective tale. I'll have to track down Special Topics in Calamity Physics when I get a chance.(view spoiler)[I see a lot of people having trouble with the ending. I was pretty sure it would end the way it did once the ambiguous endings of Cordova's films were revealed. I did love the fake-out ending at the nursing home, though. (hide spoiler)]If dark detective tales with a psychological component are your drug of choice, Night Film will be a great fix. Five out of five stars.

  • Scarlet
    2018-11-25 10:36

    3.5Night Film opens with one hell of a prologue - easily the best I have ever come across. Those opening pages exude such authentic creepiness that it becomes impossible to not keep turning the pages, to not want to know more about the enigma of the reclusive legendary Hollywood director, Stanislas Cordova. This, I believe, is Pessl's greatest achievement here. With multimedia inclusions and some tight writing, she manages to do in a handful of pages what so many authors spend entire books trying; she manages to intrigue the reader, to lure him in, to make him take the bait.I blew through this not-so-slight book in less than 3 days. That should give you an idea of the reading frenzy I was in.So why the low rating??Because once the frenzy ended and I put the book down, I realized I wasn't wowed by the actual plot or blown away by that ending and all it did or didn't imply.The only feeling I was left with was an intense desire to watch a Cordova movie.So the book certainly didn't fail. I wasn't bored or unaffected but the effect it did have was not really the kind Pessl intended, which is why I can't say it succeeded either.Night Film follows a disgraced investigative reporter, Scott McGrath, as he digs into the mystery surrounding Ashley Cordova's suicide. Ashley, daughter of horror-film director Stanislas Cordova and a former piano prodigy, jumps to her death in downtown New York. Scott (who is such an unremarkable character that I'm struggling to find words to describe him) teams up with two twenty-something sidekicks (who are equally unremarkable and on top of that, annoying) as he runs around chasing clues, trying to hunt the truth that shifts and eludes like the patterns in a kaleidoscope. The plot is one long treasure hunt centered around Cordova and while the chase is thrilling, I couldn't care less about the people I was forced to team up with. Every time Scott and his sidekicks took a break to ponder over their personal dilemmas, I would start to skim till the words 'Ashley' or 'Cordova' popped up again.Night Film is not the kind of book that gives you the correct answer. What it gives you instead are multiple answers to the same question and leaves you to speculate which one is correct, if there even is such a thing as correct. If truth is a notion, how can anything be true? While the idea is great in theory, it did not hit me like I wanted it to. My reaction at the end was, "Who cares what the answer is when it doesn't change anything?" but I guess that has more to do with the kind of person I am. Maybe I'm someone who cares more about the effects and not the causes.The writing is... good. If you ignore the inconsistency and the overuse of unnecessary italics, that is. There were some great parts writing-wise but no line or quote stood out enough to stay with me.Overall, I'd definitely recommend Night Film. It did not blow me away but it was gripping enough to make me sacrifice sleep. This book is an experience and while the impact may differ from person to person, I think it is an experience worth having.P.s. The Blackboards actually exists. See here.

  • Oriana
    2018-12-02 11:28

    Oh la, I have the greatest friends: Karen Queen of Goodreads and Greg King of B&N conspired to help me get my hot little hands on an ARC of this a bunch of months before it's published. But of course, I now find myself in a very precarious position. I mean, I want to jump and shout and tell you all about this crazy amazing book and how brilliant and sprawling and incredible it is! But that would be irresponsible and cruel, because this book is just loaded with spoiler-traps, and it would be awful of me to ruin it for anyone. So I find myself a little tongue-tied.I will say this, as lightly as I can: This is the story of cult film director Stanislas Cordova, a reclusive figure who hasn't appeared in public in forty years, whose films are all made on his sprawling upstate New York estate—films whose actors and actresses tend to disappear to the remotest corners of the world once production wraps, films that are only shown in creepy underground secret screenings, films that are so twisted and dark that some people lose their shit after watching them and others dedicate their lives to figuring them out. It is also the story of Cordova's hauntingly beautiful daughter, who opens the book by committing suicide, and the semi-disgraced journalist who is going to do whatever it goddamn takes to figure out why.That's it for the plot. I'm not telling you a single other thing.However I will also say this: I am so so so so glad Marisha waited a million years to publish this, rather than just shitting something else out right after Special Topics in Calamity Physics that could ride the coattails of its success. I kind of want to believe that she spent every day of all those years painstakingly building the world of this book, because it is that full, that exacting, that exquisitely detailed. I kept picturing her in her like writer's room meticulously working out each point of the plot and setting and cast of each of Cordova's films, then roaming all around the city until she found just the perfect apartment or shop or hotel for each of the book's scenes to take place in, then driving upstate and hiking through the woods in order to fully describe each leaf and stump and mudpuddle to be found there. What I'm trying to say is that this book feels just like life. It's set in our reality, in my city, at this time, and it is very hard to believe that there actually aren't people in the Parisian catacombs showing Cordova films at midnight, that there really isn't a super-secret online community dedicated to parsing every symbol and detail of every one of his scenes. And you know what? Maybe there is. Maybe Marisha has so fully created that reality that it does exist somewhere. That's one of the biggest themes in this book, I think: that two realities can exist simultaneously—one full of witchcraft and the other full of science, or one full of calculated terror and the other full of blasé whimsy, or one full of endless bliss and the other full of life-wrecking addiction. Anyway. I clearly want to keep gushing and gushing, but I'll stop. Final note: this book is going to blow the fuck up as soon as it's released, so get it fast, before some asshole who has less restraint than I do spoilers it all up.

  • Greg
    2018-11-12 11:32

    If in Vegas there were futures bets available on authors I would have imagine that Marisha Pessl would have been a pretty sure thing on hitting the sophomore slump. I could picture the odds being something like -1400, or somewhere around +1200 for surpassing her first book. She was the 'it' writer for a season. Some people loved her book (I would be in that camp). Some thought it was overly derivative (I'm in that camp, too!) and some turned their noses up at it, but it got a lot of attention. It sold quite a few copies and generated quite a bit of buzz. It doesn't feel like it, but now seven years later she's got her follow-up to Special Topics in Calamity Physics. This is quite a while for an 'it' author to come out with a second book, and it's bordering on the time that makes you start to forget about her, think that maybe she just had that one book in her, and maybe even think, well at least it was one good book and she didn't immediately follow it up with some shit that she probably wrote for an undergrad creative writing class and now has polished up to get another paycheck, but also seven years is a long time. You can picture the pressure of having the live up to your first book and easily imagine that what you're going to get is going to be trying to hard to be good. You might also think, well the first book was derivative, and she can't possibly pull off the Secret History thing again, so what's she going to rip off this time? I never thought these things until I thought about writing this review. I didn't think much about Marisha Pessl at all since reading her first book, I really liked it, but she's since been surpassed in the bookstore world by all the other 'it' authors and there are so many of them you just stop remembering them after awhile. Seven years is a long time (or if I think about it, it doesn't seem that long ago that the hardcover of STICP caught my eye, making me realize maybe I've been at my job way too long). And then you happen to get your hands on an ARC of Night Film and you realize that the fears of a sophomore slump are totally unfounded and that she might just be as fucking good as she hinted at being in her first novel.This is good. Really good. To get the derivative question out of the way, if you were going to say she was riffing off of another book, it would probably be House of Leaves, but it's more straight forward than that tome of typographical whimsy, it's also possibly scarier at times, more coherent and reads better. This reads sort of like an accessible David Lynch film (which isn't going out on a limb, since the pictures of one of the characters does have a resemblance to Lynch). Writing a review of this book is difficult. And I'd recommend if you are going to read this book and you don't get an ARC or read it right when it comes out to tread lightly into reading reviews. The whole book is littered with massive spoilers and this book is too much fun to want to ruin it because some jackoff on the internet wants to tell you his thoughts on some twist, turn or plot point.But, if you want to know what the book is about, it's about a beautiful talented girl who throws herself down an elevator shaft. The girl is the daughter of a famed reclusive cult film director, known for producing disturbing and provocative films. The kind that when they are described you kind of wish had really been made. The kind of films that you want to see when you want to see something that would scare the shit out of you. The kind of films that sadly don't really exist. A journalist goes looking for answers about why the girl killed herself. One of the happy surprises of the book is that it effectively uses pictures, 'screenshots' of websites and other ephemera (well not real ephemera, pictures of them) in a way that actually enriches the book and doesn't look some cheesy piece of shit. I don't know about you, but when I normally see lots of pictures in a book, like the ones this has, I usually start to worry. Sort of like when you see that whole portions of a book are written out in text messages, you just sort of feel like it's going to be a giant gimmick. One thing I found a little annoying at first about the book was (view spoiler)[the way that when twists were revealed the character would always think something like, of course this scene happened and this was mentioned that I didn't pay attention to at the time. I thought this was kind of lazy, and a bit too patronizing to the reader, like she was just assuming that the reader would be too lazy to remember where this twist was alluded to, but then when the twists kept coming there were moments where I was happy she pointed out where she had alluded to a certain thing, something that I'll tell myself was more difficult to pick up on, or remember than some of the earlier things, but I'm probably just making myself feel good (hide spoiler)].This may be intentional, but probably isn't. But I couldn't help seeing some Infinite Jest similarities, but that is probably just because of the films, and the powerful almost unreal quality given to the films. And because I'm probably stupid and the name Cordova kept making me think Incandenza (don't know why). The film Infinite Jest (V) and most of Cordova's work have the samizdat quality. Ashley Cordova kept making me think of Joelle, and Saratoga Springs* is mentioned exactly one time in each work. That last fact along makes me positive that Pessl had to have been influenced by DFW. This book is good. I'm going to say it's a book you should be excited about for this year, and try try try to read it without having anything spoiled for you in advance.*Astute readers may note that this is a lie. In Night Film Saratoga Springs is mentioned once. But Saratoga sans Springs is also mentioned once. One could say that this means that Saratoga Springs is mentioned twice, since most people call Saratoga Springs, Saratoga, but there is also the Village (or town) of Saratoga, which is closer to where the Battle of Saratoga took place, and this is a seperate place than Saratoga Springs so it's possible (although unlikely) that this is what Pessl meant in the first mention of my surrogate hometown. I'm fairly certain that the mention of Saratoga Springs in Infinite Jest occurs in a footnote.

  • Shelby *trains flying monkeys*
    2018-11-20 07:45

    I started this book Friday and my whole weekend involved it. I'm a nosy bit so I kept leaving it to Google things that come up in the story. The author did an amazing job of her research. She was spot on everything that I had questions about. This book is so very dark though. I had several times that I had to leave it alone because I honestly felt so creeped out that I felt like I was being watched.I'm not going to go into the story line because really you should read this book. Dark magic, witchcraft and devil worship do play a part in this book. If that bothers you don't read it. I kept telling myself this................but heck yes I was!

  • Laura
    2018-11-22 14:31

    Disappointing. The woo-woo spookiness was captivating for about 200 pages, but then it just went on and on and my eyes began to roll with boredom. Wasn’t intrigued by Cordova; never fully believed McGrath would team up with two amateurs; thought it was oh-so-convenient how one clue always seemed to lead directly to another; scoffed when I learned who now runs The Peak (and McGrath never discovered that when he apparently could discover what someone ate for breakfast?); and double scoffed when massive elements are tidied up with, “Oh, I took care of it.” Some good lines and moments in the book, but way, way, way too long. Can’t decide if the news and online tidbits are fun or distracting. Overall it reminds me of an adult version of Patrick Carmen’s YA Skeleton Creek series, except not as good.

  • Maciek
    2018-11-16 11:42

    Night Film received a lot of hype even before its publication, being the sophomore effort of Marisha Pessl, who came to fame with her 2006 debut Special Topics in Calamity Physics. I haven't read it but remember it being well-received by the critics and gaining some popularity with the readers, which wasn't bad for a first try. Ms. Pessl's second book was surrounded by quite a lot of hype even before its publication, with readers impatiently awaiting the day of its release. Well, now the book is out and the jury is in. Did it deliver or not?Night Film is narrated by Scott McGrath, a once succesful investigative journalist whose career shattered after he penned an article on a reclusive film director, Stanislas Cordova, whose films are notorious for not shying away from violence and controversy. McGrath penned an article in which he made implications about the director crossing the line in real life as well, which landed him a firm suit from the Cordova estate. Unable to prove his accusations, McGrath had to pay up - and lose his job. His work was discredited, his wife left him and took his daughter. McGrath's life becomes pretty miserable for a few years, until a young woman throws herself down an abandoned elevator shaft. She was none else than Ashley Cordova - Stanislas's beautiful daughter, as enigmatic as her father. Although the police rules her death to be a suicide, McGrath suspects that Stanisslas had something to do with it - even though he wasn't seen in public for more than thirty years. McGrath believes that he has seen Ashley shortly before her suicide, when he was jogging in a park - and starts a new investigation of Cordova, hoping to avenge Ashley's death by exposing her father. Even though he works alone, he'll soon find himself in company of two troubled youths - Nora, an aspiring actress and Hopper, a not-aspiring semi-drug dealer. Both are interested in uncovering the mystery of her death, and the trio forms an unlikely alliance which will take the murky road down the rabbit hole, drawn deeper and deeper into the mysterious world of conspiracies, lies and deceit.This is a brilliant set-up for an epic, genre-breaking mysterious thriller, which could have been the hit of the year - but it's not realized. It begins very well - the beginning sequences are the best written, most suspenseful and promising sections of the novel, with a real sense of mystery and promise. But as Night Film goes on it becomes less and less magical, and in the end is simply unable to support its own weight.Not that it doesn't try. There's a ton of visual elements to the book - fake pop culture references, clippings from newspaper articles and copies of receipts and forms, screenshots of webpages. Although Cordova has not been seen in over three decades, he's very much a real presence in Night Film - his fifteen films are described, talked about and studied. He's the stuff of legend, obviously based on such auteurs as Stanley Kubrick, David Lynch, Dario Argento and Roman Polanski. The theme of reality blending with fiction and the slow decline of possibility of distinguishing between the two is always fascinating and offers countless possibilities.But with all these aspirations Night Film clearly aims to the name of a mystery - it's fast pace is propelled by chapters which are often just a few pages long, which is a technique popularized by James Patterson who described it as an attempt at removal of all the unnecessary flab and focusing purely on action. While it works for Patterson, it's clearly out of place in Night Film. There's also the fact that the whole mystery is incredibly linear - basically Scott, Nora and Hopper drive all over New York State just like the gang from Scooby Doo and look for clues. It's all very simple: the group meets a person who opens up to them and reveals crucial information, and if they don't you can be sure that they will do so later, or that someone else will fill their shoes and tell our heroes exactly what to do. There aren't many loose ends and false trails get corrected pretty quickly. There's little tension and no suspense here, and a lot of Ms. Pessl clumsily moving the investigation forward from point A to point B. The characters aren't fully fleshed out either - there really doesn't seem to be any purpose for Nora to be included in this novel, and Scott's character seems to be perpetually confused, hanging between being a manly man and an overtly sensitive type. Luckily and conveniently he never runs out of cash, and gives wads of hundred dollar bills to pretty much everybody - which surely does speed up the investigation and in this economy can count as a miracle equal of multiplying loaves and fishes.Taking that into account, all the fake articles/web sites/magazine clippings start to look far less impressive than they were supposed to be, and become more of a curtain to hide the novel's flaws rather than stage directions to properly display its strengths. It doesn't help that Ms. Pessl picked up Stephen King's annoying habit of italicizing everything which is supposed to be suspenseful andimportant, and I mean everything. It's completely unconvincing and starts being quite irritating after a short while. Large, sprawling books about strange films and filmmakers and their obsessive viewers have been written, and have achieved both popular and critical success - Infinite Jest and House of Leaves come to mind. The latter in particular is a good comparison - while Danielewski also relies on familiar horror tropes, his work features a creative and original structure, which can be read as an intentional (or not) satire on itself. But there's no such humor or experimentation in Night Film, which for all its promises remains pretty vanilla throughout. (I also felt that the novel was inspired by Paul Auster, particularly by his The Book of Illusions which features pretty much the same premise and in places bore an uncanny resemblance to Invisible, but perhaps it was just me)Overall, night Film is a lengthy novel which unfortunately never rises out of the ordinary, despite its many attempts. Ms. Pessl's creativity and ability to create an unnerving sense of mystery and paranoia is severely bogged down by her clumsy and predictable storytelling, which brings two stars down from what should have been a five star effort. Despite the bumps along the road the journey is still entertaining, but one can't help but think that it could have been so much better.

  • Snotchocheez
    2018-11-24 07:34

    I'm not one to look a gift ARC in the mouth (particularly one that I was REALLY looking forward to reading) but, sadly, I just can't embrace the lumbering, sprawling, epic-in-length (though hardly -in-content) "thriller", Marisha Pessl's Night Film. I'd heard so many good things about Ms. Pessl's first novel, Special Topics In Calamity Physics, and the premise for this novel sounded can't-miss, but ultimately I was pretty disappointed, wondering why the hell the book was 600 pages long (and felt twice as long reading it). Lots of visual aids (including dozens of screen shots of web pages, copies of receipts, clippings from magazines) help to establish th story's premise: An investigative reporter is brought to financial ruin subsequent to a libellous article printed about the famous, reclusive, underground director Stanislas Cordova. The writer made some damning, unsubstantiated comments about Cordova's penchant for engaging in real-life horrors whilst making his films, and was sued by Cordova's estate. When the filmaker's 24 year-old daughter commits suicide, the writer seizes upon the opportunity to clear his name by investigating the details of the suicide, believing that ultimately, the father (Cordova) drove his daughter to kill herself.Great set-up, terrible execution. Ms. Pessl is adept at turning a clever phrase or two, but to me has zero sense of suspense timing, and the investigation work (which you get the sense early on is a buncha misdirected hoo-ha) seems about as ineffectiual, innoccuous, confusing and never-ending as a misprinted Chinese Food take-out menu (with every third sentence inexplicably italicized to convey a Stephen King-like sense of creepiness) (Ms Pessl is REALLY in love with italics...just warning you)I should've been leery with all the Random House-generated hype about Night Film being 2013's Gone Girl. Sadly though, this is no Gone Girl, not even a Gone Baby Gone. This reading experience can best be duplicated simply by going to www.marishapessl.com ...stare at the Lost Highway meets Blair Witch Project endless film loop, ogle Ms. Pessl's (admittedly gorgeous) publicity pic, and dream about a book that could possibly hold a (reversing) candle to either of those two Gone books. This Night Film has gone nowhere (really slowly, at that).

  • Helen Ροζουλί Εωσφόρος Vernus Portitor Arcanus Ταμετούρο Αμούν Arnum
    2018-12-05 09:57

    Πολύ κακό για το τίποτα....Με αυτή τη φρασούλα κλειδί θα αρχίσω το σχολιασμό του βιβλιου!Αρχίζει με αναμονή και προσδοκία για πολύ μυστήριο-ζοφερό κοσμο-μαύρη μαγεία-αποκρυφισμό και κολασμένες υπάρξεις που σέρνονται καπου αναμεσα στο πάθος και το λάθος!Ο 'βασιλιάς του ζοφερού κόσμου της τέχνης 'Ο 'υποχθονιος άρχοντας του κακού'και του ψυχικού εξαγνισμού πρωταγωνιστεί σε όλο το βιβλιο και μαθαίνουμε τις αποτρόπαιες πράξεις του απο τους θαυμαστές που εχει αποκτήσει πουλώντας αριστοτεχνικά πονο,φόβο,τρόμο,μαρτύρια και μια αλλη διάσταση ανθρώπινης υπόστασης και ψυχικής ευδαιμονίας που αγγίζεις μονο μετα την επαφή μαζι του μέσω των έργων του....Οι ορθολογιστές θα αναρωτιούνται μέχρι ποιο σημείο θα τραβήξει η προκατάληψη και η δεισιδαιμονία που βασιλεύουν στο βιβλιο απο την αρχή έως το τελος...Σε κάποιο οριακό σημείο ολα εξηγούνται λογικά και επιστημονικά και εκεί λες (ως ρεαλιστής) άξιζε ο κόπος για αυτο το βιβλιο ταξίδεψα στη μαύρη μαγεία με οδηγό το σατανά, αλλα καταλήγω σε μια επιστημονική ερμηνεία των πεπραγμένων!!Την επόμενη στιγμη το κακό αρχίζει παλι να κυριαρχεί μέσω των εκπροσώπων του... Και ότι ελπίδα αποκτάς καταποντίζεται απο μεσαιωνικές κατάρες,σημάδια του κακού,άγνωστες μαύρες συνομωσίες και σπονδές στο γλοιώδες υποχθονιο τέρας ζητώντας ανταλλαγές και εξιλέωση! Μαγικά τερτίπια παίζονται παντού και αποφασίζεις να πιστέψεις έστω για λιγο το απίστευτο!Μεσα απο την ομολογουμένως δυνατή και γρήγορη πλοκή επικρατεί αριστοτεχνικά η παράνοια και η αμφιβολία για όλους και για όλα!Τελικά ειναι αλλη μια μάχη των αιωνίων εχθρών του κακού και του καλού;Ειναι μια ένδοξη νίκη του κακού και ότι αυτο μπορεί να επιφέρει;Καταλήγοντας πιστεύω πως το βιβλιο -οχι τέλεια- περναει μηνύματα δύναμης μέσω της θέλησης του ανθρώπινου μυαλού! Τα παντα οφείλονται και εξαρτώνται απο την αθρωπινη σκέψη,πεποίθηση,βούληση!Τα συμπεράσματα για όλα τα κολασμένα υπερφυσικά και μεταφυσικά 'βιβλικά' γεγονότα.....δικά σας!!

  • Moira Russell
    2018-11-13 13:57

    I have absolutely no idea why this has so many FIVE-STAR reviews. Y'all are tripping. And all that ranting about OMG SPOILERS SUCH AN INTRICATE STRUCTURE SPOILERS? Bullshit. I will lay this book out for you:(view spoiler)[Remember on the X-Files how the show really went off the rails when Chris Carter wanted to make it an absolutely balanced choice that everything was ALIENS (magic) or the GOV'T CONSPIRACY (science)? That everything could be explained by either one of those two interpretations and they were both equal? That's it. That's this book. Except then there's an exceptionally lame copout ending that makes no sense. But really, that's what Pessl tries to do, and it doesn't work any better here than it did on the X-Files. (hide spoiler)]Read House of Leaves instead.

  • Blair
    2018-12-09 08:33

    Night Film is Marisha Pessl's second novel and, in a nutshell, it is stunning. I hope I still have plenty of excellent reads to come in 2013, but they're going to have a hell of a hard time living up to this.The protagonist of this epic, ambitious tale is Scott McGrath, formerly an extremely successful investigative journalist, whose professional reputation was destroyed when he was found to have made false allegations against Stanislas Cordova, an infamously reclusive film director. He lost his job, his work was discredited, and shortly afterwards his wife left him, taking their baby daughter with her. A few years later, McGrath is still haunted by the incident and has remained convinced that there is something sinister waiting to be discovered in Cordova's history. The death of Cordova's 24-year-old daughter - the equally enigmatic and very beautiful Ashley - in an apparent case of suicide prompts McGrath to reinvestigate the family's secrets. His quest leads him to form an unlikely alliance with two rootless, semi-homeless youths, wannabe actress Nora and small-time drug dealer Hopper, and to encounter a parade of eccentric characters who draw him deeper into a murky underworld of lies and conspiracies.That's only half the story, however. At the centre of everything that happens in Night Film is the shadowy figure of Stanislas Cordova. Described at the beginning as 'the last enigma', Cordova hasn't been seen in public since the 1970s, and although he doesn't actually appear in person in the book, he is arguably its main character nevertheless. His canon, consisting of fifteen horror films, has become increasingly obscure and correspondingly coveted: after protests against one of his movies in the late 1980s, the remainder were self-produced and only seen by those who attended underground screenings. Nobody really knows where Cordova is or even whether he's still alive - his last film, in which Ashley appeared, was made in 1996 - although he's believed to be holed up in his private country estate, where the majority of his films were shot. The invention of the Cordova legend is where the book's unique selling point, its multimedia aspect, really comes into play. The narrative includes photos, news articles, website screenshots, text messages and written notes, all of which cleverly help to build a believable picture of the unseen character. For the three days I was reading Night Film, I was completely lost to the allure of Pessl's New York - a city where everything from a dirty, tumbledown apartment block to a sumptuous Upper East Side penthouse is infected with darkness and a touch of the macabre. With stories within stories, fiction bleeding into reality, films becoming nightmares and nightmares becoming real, this fascinating, multi-layered world reminded me of the work of Paul Auster, Sam Thompson's Communion Town, and Mark Z. Danielewski's House of Leaves. The (black) magic of the settings isn't confined to the city: the Cordova family's remote hideaway, a vast mansion called The Peak, conjures up such an atmosphere that it almost looms over the story - like a physical presence, ever more menacing. For the duration of this story, the real world seemed infinitely duller than the book. Something else that Pessl does very skilfully here is to weave a genuinely interesting and believable web of intrigue around the Cordova character. Including fake pop-culture references in fiction is always a really tricky thing - how many times have you been pulled out of the spell of a good novel by a totally unbelievable 'celebrity' character? And even when the premise is fairly easy to accept (Cordova is a cult hero, not a megastar), it's easy to wonder about certain things. In a world where stuff like 'The Human Centipede' gets a mainstream release, would the films in the Cordova oeuvre - which, when they're described, don't sound all that scary - really command such respect and terror? In the internet age, is it honestly believable that a) the films wouldn't have made it out there as downloads and been seen by pretty much everyone, and b) nobody who'd worked with Cordova would have talked more about him? The answer to these questions isn't necessarily 'yes', but it still works. I believed in Cordova and his work enough to accept that there would be an unusual level of mystique around him. I believed that the films could have been real, and that if they had been, they would have attained cult status. Even if there are tiny flaws (and a rather audacious rewriting of the 1980 Oscars!) the myth stands up. The whole book is fittingly filmic, with a constant hint of B-movie/noir hanging over every revelation, confession, obscure clue and dead end. Yet there's always enough genuinely creepy realism to give you pause; there's a proper edge to it all, a sense that this is more than just a game.A note for those who disliked Pessl's polarising debut, Special Topics in Calamity Physics: please don't let that stop you from giving this book a try. I wasn't wild about Special Topics - it showed that Pessl was hugely talented, but I also found it completely overwritten and felt like the plot was drowning under layer upon layer of over-the-top language. Aside from being another demonstration of talent, Night Film is not like that at all. Scott is a straight-talking hero, the opposite of Special Topics' precocious, purple-prose-loving Blue, and this story is so plot-driven it never loses pace. It's kind of silly in a lot of ways, but that is NOT a criticism at all. It's incredibly imaginative and adventurous, and always a bit tongue in cheek - it's so non-stop action-packed that it could almost be a spoof of a cliffhanger-stuffed adventure novel if it wasn't so damn good. An absolute tour de force, a completely brilliant story - a chunky doorstop of a book, yet one that's readable and compelling enough to finish within days. The blurb describes it as a 'literary thriller' and it's just the perfect embodiment of that: it's vastly intelligent, but so much fun, exciting and twisty with a sense of humour and a huge IQ. I just know my copy of Night Film is bound to become one of those treasured, battered, well-thumbed books that I've re-read and dipped into a thousand times. I'm in awe of how brilliant it is and I really envy all of you who haven't had the pleasure of reading it yet. It is my book of the year so far (and that 'so far' wouldn't be there at all if the new Donna Tartt wasn't coming out this year...) and if you know what's good for you, you will be pre-ordering it RIGHT NOW.

  • Dennis
    2018-12-05 13:28

    Who would have thought my first 5 star review of 2018 would be this throwback by Ms. Marisha Pessl?! Night Film is original, captivating, and so intelligently produced. It is one of the most astounding reads I've ever read in my life. The story starts off with the death and apparent suicide of young twenty-something Ashley Cordova, the daughter of infamous producer and director Stanislas Cordova. Stanislas Cordova is infamous in his own rite; creating a cult fanbase with a series of dark, twisted movies that were eventually blacklisted from ever seeing mainstream production. Scott McGrath, disgraced journalist who has battled Stanislas Cordova in the past has decided to see if he can do some research and see if there's anything he can find out about the mysterious death of Ashley. With little background on the Cordova family to go on, Scott must venture in uncharted territory with unspeakable means of gaining access to this uber-wealthy and secretive family. With a spin of the supernatural, Scott begins to notice that there's been an abundance of strange coincidences happening around him. While Scott is trying to find answers, is someone trying to find him?Alright everyone, that's all you get for my synopsis review of the story because I can't divulge anymore without spoilers. For 2018, I decided to commit to reading books that have been unread and sitting on my shelf for an extended period of time. I didn't know that Night Film would be the book I've been waiting for my entire life. Listen, I'm apprehensive over any book over 500 pages, but I figured I'd try it out and if I was bored, I'd just DNF it. Boy, I was sooooo wrong! Marisa Pessl has created a masterpiece that I don't think I could ever forget. Not only does she tell the story with beautifully and tactfully crafted pieces of imagery that highlight the plot masterfully as you read, she paints a story that is so original that kept me guessing up until the very last page! How can that happen? Ms. Pessl, call me! We need to discuss this book more. As a New Yorker, I found Pessl's research on various checkpoints in the story depicted perfectly. Without giving too much into the story, I'll provide an example. There's a store called Enchantments featured and this store is described 100% perfectly—I should know as I'm a customer there! Ms. Pessl did her research while crafting this story and it doesn't go unnoticed to me. Overall opinion: If you want to have a taste of horror, but you are also a crime-fiction junkie, then pick up this book! Night Film is not a beach read, it will take some dedicated time to get through as it is pretty dense, but it is so worth it. I felt as if I was latched into the story. I wanted to be there and help goddammit! If you're a fan of The X-Files or The Twilight Zone then I highly recommend picking this up NOW.